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The initial idea of decontextualizing animated interface and thus translating it into an animation evolves, through diagram, to the conception of the animation derived from the interface design. As the initiator of the whole creative process it now suggests, even directs the way the diagram should unfold. As the diagram can only operate within the system whose boundaries are set by the analysed properties of the original interfaces, its interpretation is quite obvious and direct. The qualities of the static three-dimensional diagram are emphasized by a vertical movement of the elements (frequency of the movement describes the content and amplitude the design) which gradually appear according to the attention path and page stickiness of the analysed webpages.